Our Lady, Lighthouse and Cairn This painting draws together memories of the Hebridean crossings between Benbecula and North Uist, reflections from the Divine Office, and the writings of Saint Thérèse of Lisieux. In the image of Our Lady as both lighthouse and cairn, I wanted to explore guidance, trust, danger, and hope in Christ amid darkness and uncertainty. North Ford, Benbecula c. 1880s Source The Hebridean Crossing The painting began with stories told to me by my mother-in-law, Belle MacPhee of Benbecula in Scotland’s Outer Hebrides. As a young girl, she crossed the ford between Benbecula and North Uist long before a causeway existed. The journey depended entirely on the rhythm of the tide and could only be attempted when the water was low enough. Even then, it required local knowledge, patience, and courage. People crossing the ford travelled mainly by horse and cart across a landscape both beautiful and exposed, where sea, sand, and sky could seem to merge into one another. The...
All Dressed Up and Nowhere to Go, 2024 The Idea Behind the Painting Sometimes an old saying suddenly takes on a new meaning. During the lockdowns, the phrase "all dressed up and nowhere to go" seemed to capture how many people felt. Weddings were postponed, birthdays cancelled, theatres closed, churches became silent, and even meeting friends became impossible. As restrictions slowly lifted, people started to appear again, but the emotional effects remained. There was relief, alongside uncertainty, sadness and frustration. This painting grew out of those feelings. I wanted to create an image that acknowledged that common understanding while suggesting humour. Finding Humour in Difficult Times The couple stand together in their finest clothes, ready for an occasion that never arrives. The expressions on their faces are calm and composed, but the situation still feels awkward, something many of us can recognise. Although the painting depicts a difficult peri...