This book has been ten years in the making. It is inspired by Saint John Paul's 'Man and Woman He Created Them. A Theology of the Body'. It is also about the questions within the title of Gauguin's painting called 'Where Do We Come From?' 'What Are We?' 'Where Are We Going?'. We still need to ask these questions in a materialistic and scientific world that seems trapped in space. Whilst reading Theology of the Body, I realised the paintings I had produced over the years were the ideal accompaniment to the anthropology within Saint John Paul's work, especially the aspects of mystical and poetic theology. Crucial to this project was working with my good friend Heather Macdonald, whose encouragement and skills as a graphic designer resulted in helping to give the book its visual beauty. Purchase a copy of this book from Amazon now.
“Yet they’re ever uneasy asunder.” — from The Joys of Love Never Forgot. A Song, 1735. Some paintings depict a moment; others speak of a lifetime. In Darby and Joan, I set out to create a work that would not reveal itself all at once, but would ask for stillness, patience, and a slower kind of looking. At first, the painting presents two figures held in a tender embrace. Their faces meet gently, their eyes are closed, and their hands rest upon one another with the ease of long familiarity. Yet the work is not merely a depiction of affection; it is a meditation on companionship, faithfulness, and the kind of love that endures through time. Love shaped through years rather than moments. This reflection moves through the main elements that shape the work: the figures’ stone-like construction, the living use of colour, the expressive brushwork, the gold leaf of the wedding rings, and the Genesis vision of relationship that underpins the painting. The phr...