“Yet they’re ever uneasy asunder.” — from The Joys of Love Never Forgot. A Song, 1735. Some paintings depict a moment; others speak of a lifetime. In Darby and Joan, I set out to create a work that would not reveal itself all at once, but would ask for stillness, patience, and a slower kind of looking. At first, the painting presents two figures held in a tender embrace. Their faces meet gently, their eyes are closed, and their hands rest upon one another with the ease of long familiarity. Yet the work is not merely a depiction of affection; it is a meditation on companionship, faithfulness, and the kind of love that endures through time. Love shaped through years rather than moments. This reflection moves through the main elements that shape the work: the figures’ stone-like construction, the living use of colour, the expressive brushwork, the gold leaf of the wedding rings, and the Genesis vision of relationship that underpins the painting. The phrase and title of...
All Dressed Up and Nowhere to Go, 2024 The Idea Behind the Painting Sometimes an old saying suddenly takes on a new meaning. During the lockdowns, the phrase "all dressed up and nowhere to go" seemed to capture how many people felt. Weddings were postponed, birthdays cancelled, theatres closed, churches became silent, and even meeting friends became impossible. As restrictions slowly lifted, people started to appear again, but the emotional effects remained. There was relief, alongside uncertainty, sadness and frustration. This painting grew out of those feelings. I wanted to create an image that acknowledged that common understanding while suggesting humour. Finding Humour in Difficult Times The couple stand together in their finest clothes, ready for an occasion that never arrives. The expressions on their faces are calm and composed, but the situation still feels awkward, something many of us can recognise. Although the painting depicts a difficult peri...